Search results for "musical expectancy"

showing 2 items of 2 documents

The influence of task-irrelevant music on language processing: syntactic and semantic structures.

2011

Recent research has suggested that music and language processing share neural resources, leading to new hypotheses about interference in the simultaneous processing of these two structures. The present study investigated the effect of a musical chord's tonal function on syntactic processing (Experiment 1) and semantic processing (Experiment 2) using a cross-modal paradigm and controlling for acoustic differences. Participants read sentences and performed a lexical decision task on the last word, which was, syntactically or semantically, expected or unexpected. The simultaneously presented (task-irrelevant) musical sequences ended on either an expected tonic or a less-expected subdominant ch…

SubdominantDeep linguistic processingComputer sciencelcsh:BF1-990structural integrationMusicalcomputer.software_genremusical expectancy050105 experimental psychology03 medical and health sciences0302 clinical medicineLexical decision taskSemantic memoryPsychology0501 psychology and cognitive sciencesGeneral PsychologyOriginal Researchbusiness.industryMusical syntax05 social sciencessemantic expectancySyntaxsyntactic expectancylcsh:PsychologyChord (music)Artificial intelligencecross-modal interactionsbusinesscomputer030217 neurology & neurosurgeryNatural language processingFrontiers in psychology
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“Waiting for the Bass to Drop”: Correlations Between Intense Emotional Experiences and Production Techniques in Build-up and Drop Sections of Electro…

2014

This study investigates the correlations between theories of intense emotional experiences and production techniques used in the electronic dance music (EDM) sections “build-up” and “drop”, which are designed to build tension and create a heightened emotional intensity among clubbers. This is done by descriptive and interpretive music analysis, where spectrograms and a schematic model visually represent the dominant production techniques. Through a theoretical framework consisting of musical expectancy and gravity, the analysis suggests that i) extensive use of uplifters, ii) the “drum roll effect”, iii) large frequency changes, iv) removal and reintroduction of bass and bass drum and v) a …

lcsh:M1-5000Cultural StudiesExpectancy theoryEDMlcsh:MusicVisual Arts and Performing ArtsMultimediaMusicalmusical expectancycomputer.software_genreElectronic dance musicgravityBass (sound)Peak experienceMusic theoryemotional experiencesproductionSchematic modelClubPsychologycomputerCognitive psychologyDancecult
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